M heroically battled (and won) the domain war yesterday, which means that Write Words is finally where it’s supposed to be (i.e. .dk instead of .fi). Apparently you can’t own a .fi domain unless you have an address in Finland. No matter, .dk works just fine for me. Well, it does now, anyway. It took several hours to actually configure everything so it works right…
It’s been storming like mad for the past 24 hours, but at least it stopped raining now. The wind is still quite impressive. I’m not planning on setting foot outside the apartment today, so I don’t much care, but it had better calm down for tomorrow, as I’m finally starting the Danish language course again. It started already last week, but I was sick, so I missed the first class. It’s bad enough that I have to ride the bike uphill all the way to where it’s held, so I really don’t need the wind to complicate matters further. (Also, may I point out how odd it is to not have any snow in January? The temperature has been pretty steadily at around 5-8 degrees, which is just unnatural. Not that I’m complaining. I don’t miss the Finnish winter one bit, for now at least.)
Okay, what I really wanted to write about:
Lately my taste in music has veered towards the electronic quite a bit, especially when combined with female vocals. A while back I stumbled upon Lydia Ainsworth, whose Hologram made an especially strong impression on me, although I do like Right from Real as a whole. I also bought Imogen Heap‘s latest release Sparks and listened to it until I practically wore it out. Only a few of the tracks were new to me by the time I got the album, since she’s been releasing them online while working on the whole thing, but it was still a delight to add the CD to my collection. I’ve gone through several phases where different tracks have been my favourite for a period of time, but ultimately I think I love The Listening Chair the most, not only because it resonates on a personal level, but also because the idea of it is so delicious. I look forward to hearing it evolve in the coming years, as Imogen is planning to add a minute to it every seven years.
However, right now my number one “listen to death” project is Emilie Nicolas and her debut album Like I’m a Warrior. It started with Fail, but now there’s also Us, Charge and Put Me Down, and frankly, the entire album is just really, really good. (You can find it on Spotify.) She played a gig in Aarhus in October, but back then I knew nothing about her at all, and now I’m just so miffed I missed it! Here’s hoping she’ll be coming back this way sometime soon.
If anyone can come up with recommendations of other artists in a similar(ish) vein as these ladies, I’d love to hear about them in the comments!
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